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What others are saying
When I started using Vectorworks some 16 years ago I was fortunate to come across the Field Template SoftSymbol range not long after. They are the absolute benchmark for high quality, detailed and most of all clearly drawn symbols. They are the first ones I reach for when starting a new design and as a side by side comparison with the stock supplied VW symbols…well there is no comparison.
Max Conwell
Lighting Designer, Naked Eye Lighting Ltd., www.nakedeyelighting.com
Some [lighting designers] have always drawn their own symbols. If that’s the path you choose, that’s fine. For everyone else, there’s Steve Shelley and his SoftSymbols™. The range of products covered is remarkable. The price, given the amount of work that must be involved, remarkably low. Which is perhaps why they’re so widely used, particularly by lighting designers and their associates in America - a country that really does care about beautiful light plots. If you do too, check them out: this is a working classic, still in use daily...
Rob Halliday
Lighting Designer and Author for Light and Sound International, February 2020
What makes SoftSymbols so useful is that they are thoroughly researched, well made and above all, stick to some rigorous drafting standards that are maintained across the whole catalog.
Mark Doubleday
Lighting Designer, UK
Soft Symbols are my Vectorworks symbol library of choice, and have been since my tenure as Hubbard Street’s Lighting Director. Steve has created a product that is incredibly thorough, thoughtful, and well-organized. It looks great at any scale, is appropriate for every type of lighting gig, and could only have come from someone with his level of experience and attention to detail. It is an invaluable resource to me and will continue to be my go to library for the foreseeable future.
Matt Miller, Freelance Lighting Designer/Director
Chicago, IL
SoftSymbols are the symbol library of choice for the Lincoln Center Festival, and for all my other professional activities. They are cleanly built, graphically sophisticated, and the libraries are by far the most complete. There’s no other choice as far as I’m concerned.
Aaron Copp, Lighting Coordinator, Lincoln Center Festival, and freelance lighting designer
New York, NY
I did the Lab Rep Plot revisions with SoftSymbols. LOVE IT! So does the crew and the union House Elec. We also think the twenty-or-so production teams coming into the Lab this spring (who’ll receive print copies of this drawing) will love it too. I cannot tell you how happy I am to have SoftSymbols™ - I trust my layouts again, since your symbols are the same size as the objects they represent (DUH!), and my drawings look more like my drawings again. Woo hoo!
Martha Mountain, Freelance Lighting Designer
Washington DC

A Practical Guide to Starting a Career in Technical Theatre: Section 5

The Job Search Toolkit

Once you begin the job search, it can feel like a never-ending treadmill. And, like much of your professional life, everything overlaps. You may be in the middle of one, two, or even three projects and suddenly find yourself interviewing for a fourth potential contract.

The Job Search Toolkit actually combines the elements of the Marketing Toolkit, the Base of Operations Toolkit, and the Infrastructure Toolkit. Used collectively, they help you stay focused on the central goal: Getting work.

In general, acquiring a job involves four broad steps:

  • Search: Identify positions that align with your interests and criteria.
  • Establish contact: Reach out to a representative and express interest.
  • Exchange information: Share relevant materials from your Marketing Toolkit and receive details about the job: Title, responsibilities, pay rate, working conditions, and contract length.
  • Interview: Meet with company representatives to determine whether you and the position are a good fit.
A brief note: These steps are not a rigid formula. Some searches stretch on for months before a contract is finalized. Others move at lightning speed:

You: "So when would the contract start?"
Them: "How fast can you get here?"

Four Types of Interviews

For the purposes of this book, interviews fall into four categories, each within its own environment and preparation strategy.

  • Phone interview: Cost-effective, time-efficient, and flexible for both parties. They allow companies to screen multiple candidates quickly and reduce travel and scheduling demands. From both participant’s perspective, phone interviews eliminate visual cues or any ability to read body language, shifting the focus to audio quality, clarity of speech, and the ability to communicate effectively without background distractions.
  • Online interview: Like phone interviews, virtual meetings are efficient and can include multiple team members. Their main drawback is their reliance on stable technology and a solid internet connection. Without those two vital elements, frozen screens, pixilation, and choppy audio can quickly derail an otherwise productive conversation.
  • In-person off-site interview: Face-to-face meetings allow for handshakes, document exchanges, and deeper rapport-building. They provide both parties the opportunity to read nonverbal cues and gain a fuller understanding of one another. The interviewer assesses the candidate’s suitability, while the candidate evaluates the organization’s culture, stability, and interest. In-person interviews can be deeply satisfying — or intensely stressful. This chapter aims to break down the process and suggest tactics that help reduce anxiety and improve outcomes.
  • In-person on-site visit: This can be an exciting opportunity to observe professionals – and especially someone who may become an employer or mentor – while they are at work. Although presented as a separate chapter before the other types of interviews, an on-site visit is often your first introduction to many professionals in your field, with opportunities to make connections and, in some cases, share your portfolio. Like it or not, it is also an interview.

After the Interview

Once the interview concludes, standard protocol includes sending thank-you notes, reviewing your performance, and making any necessary updates to elements of your Marketing Toolkit.

Equally important is completing any task you agreed to perform during the interview, and providing proof of completion to yourself. (For emails with attachments, this means cc'ing the email back to your inbox.)

Follow-through matters. Do everything you said you would do. Actions speak louder than words.

After that is the aftermath – Section six.

Shelley’s Soapbox: The Job Search

The job search may begin after you've arrived and settled into your new base of operations – or even before you start packing. Once you put out feelers, the need to present yourself as ready for work can arise at any moment.

Staying organized may feel like an extension of the multitasking you learned in school or outside of school, or it may feel like an entirely new game. Either way, assume that an interview could happen at any time, and let that possibility drive the constant updating of your calendar, contact sheets, diary, correspondence, and financial records.

A significant part of the process is preparing for interviews and portfolio reviews – ideally many of them. Alongside that preparation comes the ongoing work of revising résumés and portfolios, incorporating feedback, and reprinting materials before presenting them again.

It may feel overwhelming. It may feel chaotic. Take it one step at a time, and maintain your focus.