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What others are saying
When I started using Vectorworks some 16 years ago I was fortunate to come across the Field Template SoftSymbol range not long after. They are the absolute benchmark for high quality, detailed and most of all clearly drawn symbols. They are the first ones I reach for when starting a new design and as a side by side comparison with the stock supplied VW symbols…well there is no comparison.
Max Conwell
Lighting Designer, Naked Eye Lighting Ltd., www.nakedeyelighting.com
Some [lighting designers] have always drawn their own symbols. If that’s the path you choose, that’s fine. For everyone else, there’s Steve Shelley and his SoftSymbols™. The range of products covered is remarkable. The price, given the amount of work that must be involved, remarkably low. Which is perhaps why they’re so widely used, particularly by lighting designers and their associates in America - a country that really does care about beautiful light plots. If you do too, check them out: this is a working classic, still in use daily...
Rob Halliday
Lighting Designer and Author for Light and Sound International, February 2020
What makes SoftSymbols so useful is that they are thoroughly researched, well made and above all, stick to some rigorous drafting standards that are maintained across the whole catalog.
Mark Doubleday
Lighting Designer, UK
Soft Symbols are my Vectorworks symbol library of choice, and have been since my tenure as Hubbard Street’s Lighting Director. Steve has created a product that is incredibly thorough, thoughtful, and well-organized. It looks great at any scale, is appropriate for every type of lighting gig, and could only have come from someone with his level of experience and attention to detail. It is an invaluable resource to me and will continue to be my go to library for the foreseeable future.
Matt Miller, Freelance Lighting Designer/Director
Chicago, IL
SoftSymbols are the symbol library of choice for the Lincoln Center Festival, and for all my other professional activities. They are cleanly built, graphically sophisticated, and the libraries are by far the most complete. There’s no other choice as far as I’m concerned.
Aaron Copp, Lighting Coordinator, Lincoln Center Festival, and freelance lighting designer
New York, NY
I did the Lab Rep Plot revisions with SoftSymbols. LOVE IT! So does the crew and the union House Elec. We also think the twenty-or-so production teams coming into the Lab this spring (who’ll receive print copies of this drawing) will love it too. I cannot tell you how happy I am to have SoftSymbols™ - I trust my layouts again, since your symbols are the same size as the objects they represent (DUH!), and my drawings look more like my drawings again. Woo hoo!
Martha Mountain, Freelance Lighting Designer
Washington DC

Cover Letter

While writing cover letters may seem complex, don't overthink it. It is a letter of introduction that allows you to have the hiring person's complete attention, and you merely need to speak clearly and simply in your own voice. Likewise, don't consider a cover letter a mere mechanical exercise; it is the initial document that represents you when you're not present for an interview. As such, the cover letter can't appear to be text copied off a web site.

Ideally, the cover letter shows five things: Your intelligence, your maturity, the fact you do your research, your awareness of the job, and you're interest in it.

First off, the intelligence and research thing:

  • Address the letter to the person who is doing the hiring. If the name is unknown, do the research, and if nothing else, provide the hiring title. It's much better to use the hiring title, rather than merely ”To Whom It May Concern.”
  • Check his or her title (Mr., Ms., Mrs., etc.)
  • Check the spelling of his or her name. Hiring folk take a dim view of someone who can't even be bothered to spell their name correctly.
  • Check the spelling of the hiring organization.

Next, job awareness and your interest in pursuing it:

  • Express which job you're applying for. If this is from a listing in JobSearch, there may be several positions open at the same organization.
  • Make a statement that shows the letter is not just a response to an ad. Express interest, that you've given some consideration towards this application.
  • Write in original words; don’t copy and paste from a Googled form. Potential employers are looking for knowledge, enthusiasm, focus, and commitment.

The cover letter should be one page, consisting of three or four brief paragraphs:

  • First Paragraph: Answer the reader’s question, ”Why am I reading this?” Play the name game: Note any connection such as, ”Patrick suggested that I contact you regarding...”, and then note the job being applied for.
  • Second and Third Paragraphs: Describe your strengths and skills, and how they apply to the position being sought.
  • Highlight a relevant job or experience that tested these abilities, and describe how you met the challenge.
  • Final Paragraph: Rather than ”I will wait for your call,” indicate that a call or e-mail will follow to check on the status of the application. Arrange a meeting if that’s appropriate.

Final Cover Letter Thoughts

Many of the unwritten rules for resume presentation are also applicable to cover letters.

  • Make certain the font choice and document layout follow typical letter convention. Don't use wacky fonts, don't lay the document out upside down.
  • If colored paper is considered, carefully consider the decision, and what it may imply.
  • If possible, hand-sign the document. Even if it then scanned and sent electronically, it shows time and effort was taken to produce the document.

©2016 Steve Shelley, all rights reserved.